Archive for March, 2019

Botticelli – The Birth of Venus

Sunday, March 31st, 2019

One of several criticisms of the Actual Intentionalist theory of interpretation – even in its weakened or modified forms – is that it requires that each artwork have just one correct interpretation. According to Davies (ed. 2015, The Philosophy of Art, p. 118) for example, such a critic rejects the idea ...

Poussin – Et in Arcadia Ego

Saturday, March 23rd, 2019

According to Actual Intentionalism, an artwork should be considered as a type of communication by the artist, and the ‘meaning’ of the artwork – which is what is to be understood by an interpretation of the artwork – is just what its author intended when creating it. There is supposedly ...

Titian – Sacred and Profane Love

Saturday, March 23rd, 2019

The appreciation of art is usually taken to involve an aesthetic judgement, and this judgement is most often said to be essentially non-cognitive. According to the Hume/Kant model of artistic appreciation, however, an aesthetic judgement of that kind is very often dependent upon a previous cognitive act of ‘understanding’ the ...